Archive for ‘Queer Stuff’

November 12, 2012

There’s only One Direction out of the closet…

One Direction: Any gays in there?

A couple of weeks ago now it was International Coming Out Day. Given that I’ve quite unequivocally already got that T-shirt, to mark the occasion I think I’ll admit something else.

Here goes…

… I quite like One Direction.

Yes, yes, yes, I know. They’re awful, boyband, bubblegum pop, with about much soul, sincerity and authenticity as a corporate greenwash. I know their music is formulaic and trite, with certain lyrics that are a bit ropey from a feminist standpoint (“You don’t your beautiful/That’s what makes you beautiful”). I know they exist solely for teenage girls and gossip columnists. I know they and their entire production history is a manifestation of everything I despise about the modern media and its profiteering ways, I know. But some of the songs are pretty catchy (I will admit to listening to “Gotta Be You” an embarrassing number of times), and I have a bit of a man-crush on Harry Styles – he’s got great fashion sense (or at least, his personal stylist does), and he has successfully rehabilitated big hair for the modern gentleman. Besides, I’m gay – I can enjoy shit things and call them kitsch. So sue me.

But One Direction also interests me because of how homosexuality – or rather, its potential existence – has been an increasing feature of their public presence, and how the various responses to this demonstrate how far industry bosses have fallen behind the contemporary attitudes.

I think it’s fair to say that One Direction have faced some of the most sustained and creative speculation about their sexual identities of any boy band in history. The rumoured relationship between the softly spoken Louis Tomlinson and the dandyish Harry set the blogosphere and twitter abuzz. The rustling of magazine-pages has got so bad, that Louis has begged everyone to just shut up about it, as its affecting his relationship with both his girlfriend and Harry. Personally, I don’t believe for a moment that they’re actually in a relationship. But I’ve read plenty of older commentators claiming that, in effect, no straight boys would ever be that tender with one another, or that if one (usually Harry) was gay, then there is no way Louis would flirt with him, if he were truly straight.

Firstly, I think this demonstrates how much the bounds of what is acceptably masculine behaviour are changing. Men below the age of 25 seem much happier and more comfortable with being intimate with other men – the so-called “bromance” – without the fear of being labelled gay, at least by their peers. Harry and Louis behaving in this way publicly has surprised huge numbers of people outside of that age group, leading to them fanning the flames of gay speculation. As for gay men not being able to flirt with heteros – Bitch, please. If anything, I flirt more with my straight friends than I do with my gay ones. Just as with my straight female friends, the understanding that nothing could ever happen basically means that it’s more or less open season. Flirting with someone you know to be gay, if you are gay yourself, is much more likely to result in mixed signals being given, and eventual heartache.

There’s nothing to it: These days, young men are happy to form very intimate, but non-sexual, relationships with one another.

But this “Larry” controversy is only the tip of a very sparkly iceberg. Pretty much every conceivable possible pairing of the members of One Direction has been concocted by Directioners on tumblr and other social networking sites; a process known as “shipping”. Shipping doesn’t just happen to One Direction, either – a vast array of real and fictional characters are shipped by fans online. One thing that is important to note, though, is that shipping doesn’t necessarily equate to a belief that the relationship in question is really going on; rather, it can be (and usually is) an exercise in wishful thinking. I wonder if part of the reason why Louis and Harry have been subjected to so much speculation is because gossip columnists witnessed an unfolding bromance, googled “Harry and Louis One Direction gay” and discovered the Larry fandom, put 2 and 2 together and came up with 69.

This open, laid-back speculation about other people’s sexual behaviour, and the willingness of young men of all orientations to express intimacy with one another, are examples of what has become, in my view, a second sexual revolution, facilitated by the Internet. Having instant access to global audiences of people Just Like You has allowed young people to grow up and socialise relatively unhindered by high-school hierarchy and small-town bigotry for the first time, which has in turn disempowered those forms of domination. Although the communications revolution has had its darker side, it has also allowed people of my generation to cast off even more of the heritage of of sex-negativity and patriarchy than our parents in the swinging 60s managed. Straight guys and gays can be BFFs, and the girls are free to guess and lust to their heart’s content.

Social Media have broken down the barriers that previously defined sexual and social conduct for young people; making homosociality, homosexuality, and nerdy interests more acceptable.

So when did it all change? I think I can square it down to the year – 2006, the year I started my undergrad. That was the year of the Social Network – when facebook truly exploded, when vlogging Youtube started to really take off. My year and above had an adolescent experience much like those that came before – popularity vs. unpopularity, fun vs. isolation. Those that came after had a different experience – because they could be so much cooler Online.

Of course, the Record (and Film, and TV) Industry have been slow to respond to this development. The internet is not just a closed book in terms of sales, its social impact has also left them standing. The fact that part of the appeal of boy bands is that teenage girls (and teenage gay guys) like to imagine the boys with each other has, as yet, completely eluded most Media Execs. If it hadn’t, we’d see way more boy bands following the mould of Madonna, Katy Perry and Russian duo t.A.T.u., who all have capitalised significantly on the sex appeal of lesbianism for both straight men and lesbian/bi/bicurious women. I can appreciate Louis’ frustration (it’s telling he’s more concerned about how the speculation might make his girlfriend feel than about being labelled gay himself) but I think the fault lies not with him, nor with his fans, but with a medium unaware of the new ways young people are thinking. And, if any member of One Direction is in fact gay, I’d advise them to listen to older-brother-homo Lance Bass – coming out won’t kill your career. In fact, your fans may love you even more for it!

August 26, 2012

UPDATE: Scottish Roman Catholic Church and Spiritual Warfare against Equal Marriage

[[This is quite exciting, I've always wanted to say this, so here goes: STOP PRESS]]

Yesterday, when I was putting the finishing touches to my article on Christians conducting spiritual warfare, I had the vague notion in my head that Christians praying for their God to intervene in the political process directly was an American problem. Britain’s churches have long been declining into a slow quiescence for decades; they wouldn’t do anything as morally problematic as interfering in matters of state (especially social issues which don’t effect them).

Oh, how wrong I was. The Roman Catholic Church in Scotland is planning to conduct a campaign of prayer against equal marriage legislation tabled in the Scottish Parliament.

According to a letter that will be read out in sermons today in Catholic Churches across Scotland, Catholics in Scotland will be asked to “pray for our elected leaders, invoking the Holy Spirit on them, that they may be moved to safeguard marriage as it has always been understood, for the good of Scotland and of our society”.

Invoking Spirits (even a Holy one) against someone else is dangerous ground. It is a violation of the target’s autonomy, and unless your justification is top-notch (i.e. you have consent), then you’re playing with fire. Although I doubt the feeble prayers of Scotland’s shrinking Catholic congregations will sway the Scottish legislature, I am concerned that this sort of activity will leave Scottish Catholics open to a rather unpleasant karmic return.

Regardless: as an energy worker, even if a bit of a newbie, I feel called to do something. So I make a caim around the Scottish Parliament, its Members and its staff – may they be free and unencumbered by outside forces, spiritual and temporal; so they might vote in accordance with their own consciences. So Mote It Be.

June 23, 2012

Part of your world: TG themes in The Little Mermaid

I was doing some filming at a queer cabaret in Cambridge the other day. Despite what I’ve said previously about such safe spaces feeling profoundly un-safe for socially-awkward little me, this particular evening was pretty damn awesome; we raised hundreds of pounds for an LGBTQ library in the city in honour of a recently deceased member of the community, and lots of people have demanded DVDs, so my filming may help them raise even more money. Get in!

Even better, I ended up having an exceptionally stimulating conversation with CN – a musician who also had a vast amount of knowledge concerning queer themes in folklore. In addition to providing me with a stonkingly good reading list (I’m planning on reading Kissing the Witch at the first possible opportunity), they revealed to me the apparently well-known fact that The Little Mermaid was written as a love letter by Hans Christian Anderson to his best friend Edvard Collin – the whole mermaid-WLTM-sexy-human-prince-thing is actually a metaphor for Anderson’s impossible, unreciprocated love for Collin. The original final passage – which expresses the Little Mermaid’s wish to be reunited with her prince in heaven – was a direct insertion of Anderson’s own sentiments.

This reminded me of something I hadn’t thought about in years – a blast from the past, if you will.

Disney is infamous for being terribly gay-phobic. Wanting to avoid pissing off the One-Million-Moms lobby in the U.S. (which is far smaller than a million, and mostly contains angry middle-aged men, rather than mothers), Disney has made all its films gay free. For all those who think that it’s “unsuitable” to include gay themes in something aimed at children – well, you’ll see.

When I first watched Disney’s version of The Little Mermaid, I must’ve been about four. We never had many videos when I was growing up, so I watched the spots off this one. Despite Disney’s policy of never venturing into Prince and Prince territory, The Little Mermaid, has a fair bit of gay stuff included. Ursula (the be-tentacled sea witch whose campy craft fascinated me so much at a tender age) was apparently modeled after the infamous drag-empress Divine. Triton’s parental disgust at Ariel’s desire to be human is familiar to many gay youth these days – whose parents are often at least upset by the revelation that their kids aren’t quite what they expected. However, something nobody else seems to have pointed out is a tiny detail from during Ursula’s song “Poor Unfortunate Souls.”

Little and large: Ursula is not impressed.

During this scene, Ursula conjures up a series of magical holograms to help tell her story. At one point, she reveals a thin, weedy-looking merman and a dumpy depressed-looking mermaid. Ursula sings:

…This one longing to be thinner

This one wants to get the girl…

At least, that’s what the words are meant to be. When I watched the film, I misheard what Ursula was singing (I had trouble with correctly identifying words in song when I was younger) as:

…This one longing to be thinner

This one wants to get them girl…

Much better: Possible TG moment?

This, combined with the lack of visible a human midriff on the fat mermaid in the manner of her more svelte sisters, made me assume that the she was in actual fact a fat merman. I assumed that Ursula had transformed this dumpy bloke into a beautiful woman; that the two unfortunates were actually friends, transformed into lovers by the sea witch’s magic, in order to satisfy both of their deepest desires. I had no idea of queer themes – but I nonetheless arrived at them independently of any express guidance.

So regardless of Disney’s policy regarding queer themes in their creative product – queer kids will be watching regardless. Chaste romance – an integral part of the Disney vision – can involve partners of any gender; homoerotic pairings are no more (or less) intrinsically sexual than heteroerotic ones. And even if only heteroerotic themes are included, as my experience proves, kids will see what they will into what they watch.

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